The latest production of Sydney University Dramatic Society (SUDS) gave us Deathwatch — a friction filled absurdist tale of a struggle for power, provoked sexuality and the brutal consequences of jealousy.
Browsing: Reviews
Harnessing the earthly magic and natural elements of the African Sub Saharan landscape, Cissé borrows the mythic legends of Malian folklore and transcribes it effortlessly onto the celluloid of 35mm film.
Gentle bubbling of broth boiling. Dull thuds of a knife hitting wood. Soft ringing as a ladle scrapes the edges…
How Deep is the Ocean (2023) is ultimately a fast-paced and engaging film without being too complex in its execution.
The gig combined live underground music with onstage interviews to introduce the future of the Eora music scene and celebrate the podcast’s second birthday.
The multi-award-winning author Jones spoke for over an hour to the large crowd about her latest work, its influences, her writing process, and her journey as a novelist.
The Golden Coach holds an interesting place in Renoir’s body of work. It was his second film in colour and the first of his films to represent a departure from his more naturalistic style, yet it retains the director’s thematic depth, visual artistry, and humanist sensibilities.
This in-depth exploration of hopelessness did feel uncomfortable at times, and yet it managed to ignite and deconstruct the emotions of love, pain, grief and doubt all at once.
Tammer, by building sympathy in Neave and then forcing the viewer to confront his war crimes, builds a microcosm of Australian war remembrance that all Australians should reconsider in the age of Ben Roberts-Smith.
Entering Seymour Centre’s Reginald Theatre for the opening night of A Case for the Existence of God, we are greeted…
